About Me

I’m an art production pipeline engineer and tech artist. I’ve been bouncing back and forth between games and films for several years now.

I’ve worked on several games as an unreal technical artist, such as The Quarry, Crossfire X, and several unannounced games.

I often work on real-time ‘adjacent’ projects that aren’t quite games but are still entertainment experiences using game engines such as the award-winning VR exhibit: Time Magazine’s The March.

Additionally, I’ve architected and helped build a previz + postviz + techviz + virtual production pipeline at Digital Domain 3.0.

Here is my work history (if I remember to update it) and my resume, as well as my linkedin.

Post History

• [PY] Solaire IDE - *12/12/25* — Python
• [GO] Orchid Database - *9/19/25* — Go
• [GO] Mycelia's Custom Protocol - *8/27/25* — Go
• [BLOG] Post Migration - *8/14/25* — Update
• [UE] Distributed Automation - *5/11/25* — Unreal
• [GO] Mycelia Event Broker - *4/24/25* — Go
• [UE] Mesh Merger - *3/21/25* — Unreal
• [UE] Plugin Manager - *8/11/24* — Unreal
• [UE] Shelves - *4/4/24* — Unreal
• [PY] Poor Man's IDE - *3/22/23* — Python
• [MAYA] Custom Shelf - *11/3/22* — Maya
• [UE] Detail Mask-Based Master Material - *1/14/20* — Unreal
• [UE] Retro Materials - *7/24/19* — Unreal
• [UE] Material Instance Hierarchy - *6/16/19* — Unreal
• [UE] Rain Droplets Material - *5/10/19* — Unreal